Ella Mesma began her dance journey with Salsa and other Latin styles in the UK before discovering aerial through Circo Picolino in Brazil.
An award-winning dancer and choreographer and a 2016/7 Associate Dance Artist with Dance City. Ella Mesma’s work draws from a number of styles and traditions including Afro Cuban, Hip Hop and Aerial dance.
Ella trained at Laban and the London School of Contemporary Dance where she received an MA in Dance. As an independent dancer she has worked for a number of leading companies including Russell Maliphant Company, Southpaw Dance Company as well as for Wendy Houston’s ‘Stupid Women’ and the Olympics Opening Ceremony.
She joined Upswing circus in London as an apprentice before deciding to pursue a career in dance. She has since trained internationally in Cuba, Brazil and USA including The Graham school- New York, La Ena- Havana, Deborah Colker- Rio De Janeiro and Funceb- Salvador da Bahia.
In 2011-2013 Ella Mesma also studied yoga which informs her teaching and choreographic work along with a diverse range of techniques including contemporary dance, contact work from partner dances, breaking, afro-latin and folkloric dances, capoeira and aerial dance. Since 2011 she has collaborated closely with lighting designer Ciaran Cunningham, when she formed Ella Mesma Company.
Ella Mesma formed Ella Mesma Company with solo ‘Evol’ in 2011, quoted as “Unabashedly emotional” (Breakin’ Convention) Sanjoy Roy – The Guardian and danced by “The superb Ella Mesma” Donald Hutera – The Times. Her second work, Ecdysis in 2012 was quoted as “Push(ing) the form (breakdance) beyond battles and bravado” William Drew- Exeunt Magazine (Sadler’s Wells).
In 2013 Ella Mesma began producing Roots of Rumba, an annual Latin Dance Theatre Festival. In 2013, she was selected as a future Dance Leader for the ABLE leadership program. Having created her first group piece Orixas in 2014, Ella Mesma was awarded a Bench fellowship for emerging female choreographers in 2015.
She was made an Associate Dance Artist at Dance City in 2016 when she created ‘Papillon’, which was featured in “The Dancing Times” as “impressive, audacious, defiant and personal”. The work was supported by the National Circus Centre, and has since been commissioned for Moving Frontiers 2018. She is a 2017 resident artist at the Trinity Centre in Bristol in 2017 working on new creation ‘Foreign Bodies’ quoted as “artistically, scientifically and culturally significant.” by Katy Noakes (One Dance UK) and “Super exciting work.” by Dan Canham (Still House). In 2017 she curated a sold out Wild Card at Sadler’s Wells Theatre in London.