Roots of Rumba (established 2013 at Richmix) began as a mission to create a platform for established professionals and emerging Latin dance artists to present Dance Theatre with Afro-Latin dance and themes at the heart.
I am super excited to announce that this year Roots of Rumba will be funded by Arts Council of England and will be touring the UK! This year Roots of Rumba will tour to 5 cities and will present 3 amazing UK based professional artists, One international act (NYC based) and two local artists from each touring city. Of different generations and genres within the diaspora, artists will be presenting very different work that truly showcases the potential and scope of diaspora dance theatre! The tour also includes workshops, an afterparty and more!
Why did you start Roots of Rumba?
“I LOVE Latin dance. Growing up on the salsa scene, I am naturally a huge fan of Eddie Torres, Yamulee, Swing Latino, Tropical Gem and all the others who tour the congress scenes worldwide. These dance shows are amazing: with impressive movements to showcase these beautiful dances. They are also often very ‘front facing’ and have similar teeny tiny costumes for the women and big big smiles (that often as a performer felt forced or that they didn’t convey what I was actually feeling and thinking).
Training as a contemporary dancer was hard at first, because I moved so differently and often latin dances are based on call and response or improvisation, so I felt that Contemporary Dance was a very different world: One where I was not sure I belonged. I began to that notice that my dance forms didn’t get the same respect and opportunity to shine as contemporary and ballet and to wish for them also to be put on the stage with a similar reverance. After touring with contemporary Companies like Russell Maliphant, and working with Jonzi D (Breakin’ Convention) who is one of the founders of Hip Hop Dance Theatre, I realised there is a huge potential for creating deeper work using latin dance forms. I began to imagine the ‘what if’s!’: “What if we lit or staged it differently?” “What if we changed the costumes slightly?” “What if we looked at creating theme or issue based work?” “Or added technology?” The potentials are endless!
My piece Ladylike (which has received a Lukas award nomination) does just that: it uses Afro Cuban dance to talk about issues around sex, sexuality and the #metoo movement. I think that Latin dance styles lend themselves really well to creating theatre, because they are at a beautiful crossroads of different cultures to creating a dialogue: in particular around subjects about migration, identity and sexuality… but I am sure this list is also endless and I would love to support more artists on this journey!
And so, in 2013, with the help of Scannersinc, I set up the first Roots of Rumba: Creating a festival that gave Afro-Latin dance theatre a spotlight on the stage.
I continued the festival over the next few years in London, but this year I decided to invest more time into understanding what the scope of the festival was, what its remit was, and what and how it helped to enable the UK scene, and am delighted to have received an Arts Council of England grant to support that.
Why did you change the remit from Afro-Latin Dance Theatre?
Originally I created Roots of Rumba as a platform for dances from South America and the Caribbean, such as Rumba, Tango, Afro-Cuban, Afro-Brazilian, Samba, Salsa, Capoeira, Baile Funk, Kuduru, Bachata etc. I chose the title Roots of Rumba, because if we trace the journeys of these dances, all of them really originate in Africa.
The more I discussed, read and reflected on my creating an Afro-Latin festival, the more I understood the complexities of the definition and how political even the use of the word ‘Latin’ can be. Within my own personal practise I have come to realise that boxes and definitions can be so unhelpful, and that whilst they hep us to understand, they can also limit us. I began to wonder whether the definition of Afro-Latin dance theatre was unhelpful, and to wonder whether I should include different dances of the African Diaspora such as Hip Hop (Many forms were created by the Latin community in the USA, they also originate in Africa) and Caribbean dances including Haitian dance, Dance hall and of course African dances such as Sabar, Kizomba and Mapouka.
Seeing Germaine Acogny’s (the Mother of African Contemporary Dance) work at Southbank this year was very impactful this year: an amazing example of dance theatre which uses her Germaine Acogny technique so powerfully…
Eventually, after talking to mentors, peers and family, I decided that because the Roots of all of these dances are in Africa, and that all Afro-Latin dance forms can be traced back to Africa in their roots, it felt right to define the festival as a festival celebrating diaspora dance theatre because all of these styles are dances of the African Diaspora at the heart.
Where is Roots of Rumba this year?
6th July: BRISTOL: TRINITY CENTRE TICKETS
7TH JULY: NORTHWICH: LION SALT WORKS & CHESHIRE DANCE TICKETS
8TH JULY: LONDON: HORNIMAN MUSEUM: TICKETS
12-13TH JULY: NEWCASTLE: DANCE CITY & KOMMUNITY TICKETS
20TH JULY: LEEDS: YORKSHIRE DANCE & THE WARDROBE TICKETS
15th SEPTEMBER: LONDON: RICHMIX TICKETS
Who is performing?
Ffion Campbell Davies
(Performing in Northwich, London (8th July), London (15th September))
‘Womb Paves Way’ meets us at the cross roads of the past and future, paving new pathways and clearing debris and obstruction. Embarking on rights of passage into womanhood, the piece is influenced by Yoruba Afro-Brazilian, Afro-Cuban deity Ogun. A female interpretation, embodying the marriage of divine masculine/feminine contemporary and traditional forms, the piece is a returning back home to the womb residing in purity and rebirth. Taking reference from African and Caribbean women of the Victorian and Colonial era, and questioning what being a woman really means within prejudice and matriarchal society? Who are we underneath ‘his-story’, what is ‘her-story’? ‘Womb paves way’ is inspired by the book ‘Vagina’ by Naomi Wolf.
Ffion Campbell-Davies is a multidisciplinary performance artist. Cardiff born mixed Welsh Grenadian, trained at LCDS in 2010. Exchanged at Calarts, LA in 2013. Studied in Brazil and Cuba in 2014-16. Joined dance theatre company ‘House Of Absolute’ in 2015 and winner of Crooked Districts ‘Krump vs Waacking’ and Kwame Asafo-Adjei’s Spoken Movement BLOC BATTLE in experimental 2018. She’s worked alongside singer Lula Mebrahtu, performed ‘caravan’ Immersive theatre at VAULTfest and is currently presenting her own conceptual works celebrating Identity and womanhood, in particular ‘Womb Paves Way’ which was performed at Rich Mix London for ‘She Created Her Life’ Curated by Ella Mesma and Tichea Brade.
“I am excited to unite in the excellence of the African Diaspora at Roots of Rumba”
Iris De Brito
(Performing in Bristol, London (8th July), London (15th September))
Uprooting: a work in progress centred around the family bonds severed through migration & immigration. Iris will explore how the forced movement of people creates new identities and cycles of trauma that reflect through generations.
Iris has worked with “Badejo Arts”, “Kokuma Dance Company” and Sheron Wray. In the commercial sector, with artists such as Jay Z, Madonna and Kylie Minogue. Iris has travelled extensively to Cuba to study Afro Cuban movement. She was 2x UK Salsa champion and In 2006, and toured the International Afro Latin festival circuit for over 15 years performing and teaching. Iris organises BATUKE International Festival in London promoting awareness of Afro Luso culture. In 2017, as part of LTSF, she travelled to Angola on a research trip culminating in a one hour documentary. She is a 2107-2018 One Dance UK – DAD Trailblazer starter fellow.
“I am excited to be part of Roots Of Rumba because I thinks it is the right platform for my work and I am passionate about developing an audience for this kind of work”
(Performing in Bristol, Northwich, London (8th July), Leeds, London (15th September))
‘The Lost Goddess” is a dance piece about the Lady of the River: a goddess who has been asleep for over 100 years. A ceremonial dance has been passed down through the generations is used in an attempt to wake up the goddess. Those who know it have dedicated their lives to this ritual. Legend states that the goddess can only be awakened by someone worthy of learning the ways of the four elements (earth, water, wind, fire). The Lost Goddess is inspired by one of Maya Angelou’s poems called, “Alone”.
“Alone, all alone
Nobody, but nobody
Can make it out there alone.” …Maya Angelou
Myriam Gadri was born in Switzerland and also raised in Togo ( Africa) and London ( UK). She is a dancer, performer, actor, model now living in New York. Myriam has performed on the “Today Show” numerous times including “Summer Concert Series” with Pitbull and Mark Anthony, the “Ugly Betty” season 4 launch party, “Fake Off” Season 2 with DECA Crew on TrueTV, NY KNICKS ‘Latin’ halftime show at Madison Square Garden, performed in Miami for Don Omar in the Latin Billboard Awards two years running choreographed by Maria Torres, Marc Jacobs – Decadance fragrance launch, The Latin Quarter Casino Show and made an appearance on SNL Christmas Special with Amy Adams. She has made numerous appearances infusing Latin and African dance styles with several dance companies. She made her U.S musical debut with “The Wiz” at Arkansas Theatre Rep, and then two productions of “In The Heights” directed and choreographed by Luis Salgado, where she was the first woman to play the role of Graffiti Pete in one of these productions. She toured with The Hip Hop Nutcracker where she played the ‘Mother’, Performed at the IIFA Awards 2017 and “Broadway Bares – Equity Fights Aids” in Sekou Mcmiller Ii‘s piece.
She also had the honor of playing the first female ‘Graffiti Pete’ in the critically acclaimed US premier of In The Heights in Spanish which won 9 awards at the Helen Hayes Awards 2018 and 3 Broadway World awards Directed and choreographed by 3 times Broadway veteran Luis Salgado.
“I am very excited to be able to present and share this original piece in the line up of ‘Roots of Rumba’ Tour because In today’s world, the answers given to face struggle tend to divide us… and reaching out to what we all have in common and to what was here before us is one of the beautiful ways to finally unite”.
(Performing in Bristol, Northwich, Leeds, London (15th September)
“Mine or theirs” is a piece about what I could or would do, as a queer woman of color, if my body was truely mine. It is hard to believe we really have a choice over our actions, as if everything we do was a reaction to gender expectations. Perhaps remembering all the magic and the sacred there is in us, would help not to bend under the weight of social constructs.
Sandra Passirani is from France where she trained at Choreia Le Centre des Arts Vivants in Paris. She continued training at the Alvin Ailey School. In New York, some of her favorite performing memories include: the New York Times annual gala, the 25th anniversary of Cirque du Soleil, being a soloist at the Museum of Natural History for two years, and feeling the magic dancing in the Apollo Club Harlem show directed by Maurice Hines. She is grateful to have been part of Lynn Neuman’s company for eight years, and for every moments she got to dance with friends and family. Sandra taught at the Manhattan Youth Ballet, Manhattan Movement and Arts Center, Broadway Dance Center, and Steps on Broadway.
“I hope to always explore new grounds”
“Roots of Rumba is a great platform for international artists. I am grateful to be able to share a message and magical moments with its audience.”
Azara Rowena Meghie
(Performing in Leeds)
Azara Meghie is a black LGBTQI performer. Her first live solo performance I Am A Woman was created in Jamaica. She collaborated with Kai Fi’ain to develop a video piece which screened at the BFI Flare Film Festival 2017 and seven film festivals across London, Berlin and New York. She has just finished her second film Breaking Down my Trans-Lation.
“I am excited about performing at Roots of Rumba because I can share my roots and journey with and to more people”.
(Performing in Bristol, Northwich, London (8th July), Leeds, London (15th July))
Franck ARNAUD-LUSBEC aka Duracel Freaks grew up between Paris and a French Caribbean island called Martinique. Dance has always been a part of his life and at the age of 16, after a year of hip-hop classes he decided he would make dance his career. At the age of 20 he attended Rick Odums International Jazz Center where in trained in Ballet, Jazz and Modern. During his time there he had the privilege to work with amazing teachers and choreographers such as Geraldine Armstrong, Cathy Grouet and Magalie Vérin. They helped him develop a strong technique in Jazz, and Modern dances. Meanwhile, he was also part of a hip-hop company, Insolite Crew with whom he participated in events, music videos (I Got It by Diversidad) and contests such as “MTV Shake ton Booty” (2nd place in 2010, 1st place in 2011). After 2 Years He moved to New York where he joined the Certificate Program at Peridance Capezio Center. There he trained in many styles with great teachers and choreographers such as Lajon Dantzler, Joanna Numata, Tweetboogie, KCDC, Princess Lockeroo, Ms Vee, Archie Burnett, Marlena Wolfe, Milton Myers, Djoniba Mouflet… He also appeared in ABC’s Good Morning America and in a couple of music videos. Back in Paris since 2015, he has been working on various project, as a dancer and a choreographer. He’s the director of “Free FAL’L Dance Company”, within which he brought together skilled dancers with different backgrounds, from France and the US. Today Franck travels, to perform with his company but also to teach, trying to share his artistry with the world and hoping to keep on learning from his surroundings
Franck will present Di-Osmosis a piece about identity. Your roots are the base of who you are, no matter how much you grow they will be a part of you and affect your life in one way or another. They are always linked to your core. I grew up on a Caribbean Island that I left at a young age. Today I’m a man very far from his original home, geographically but also mentallity, still my blood is encrypted with the rich culture of Martinique and no matter what I do, I’m always influenced by it, even in the smallest ways. Whether it’s in my dancing, the words I use, my accent, or the way I percieve everything around me. I want to be a citizen of the world, build myself with help from the cultures and the people I encounter all over but no matter what, I’ll always be “Martiniquais”. In this piece I want to explore that duality, that tricky yet perfect osmosis, between my roots and who I’m building myself to be…
Akeim: Toussaint To Move (Leeds)
(Performing in Leeds)
Akeim will present Jordan River: an extract from Windows Of Displacement: A dance theatre one man show exploring identity, colonialism and capitalism in todays modern world. Jordan River is the dance of joy which encapsulates the drive for us to keep moving as people and never stop.
About performing in his hometown, Akeim said “I am excited to represent another flavour of the diaspora dance lineage that I am creating.”
Dani Sands (Brazil/London)
(Performing in London (15th September))
(Performing in Bristol)
What if the greatest bit of technology invented was the modern woman? Every woman’s story is the story trial an error editing and often curated to ensure the survival of a people. This excerpt follows Haitian woman’s story, the cycle from ancient to modern, rural to urban, traditional to contemporary and back- always powerfully walking in the fullness of her truth.
Latisha is a dancer, teacher, choreographer from New York City currently living in Somerset. Latisha’s Haitian American heritage has offered a life immersed in a culture of storytelling, music and dance. Latisha currently runs a community dance project called Saias Liberdade, which explores social and folkoric Afro Caribbean dance traditions including Afro Brazilian and Haitian dance. In 2017 Latisha started the Krik Krak festival an event dedicated to the education of Haitian culture in the South West and is currently working on a project called the Bristol Dance Exchange which seeks to bring high quality dance education to Bristol and the South west.
Latisha is happy to represent the culture of Ayiti as part of this acknowledgement and celebrations on Afro Caribbean culture.
Marie-Claire & Marie MATHIAS (Leeds/France)
(Performing in Leeds)
Marie-Claire is a dancer, choreographer, teacher and promoter. After graduating from a dance centre (James Carles Centre) in France specialising in Contemporary dance and travelling in Cuba to study dancing. She creates her own projects and travels around the world to perform them. She teaches Salsa regularly in Leeds and Sheffield.
Marie-France is a professional dancer. She is a hip-hop dancer trained mainly in Breakdance, Locking and House. She learnt the fundamentals of hip-hop in an urban professional course in Valencia (Spain). She has since travelled across Europe improving the foundations taught to her and has danced, learned and battled in many countries.
The twins will present: Who is Marie? A dance piece about finding individuality. Two identical twin sisters, who have each journeyed separate paths, reflect upon their skills learned since their separation upon re-uniting.
Comparing the similarities and differences between themselves, to give a unique insight into what it is like to be a twin that has developed skills in different disciplines. Someone who looks alike but is different in thoughts, opinions and experiences but yet still shares the same roots. An almost complete mirror of one another, but yet a completely different reflection. This will lead the sisters into asking themselves, Who is Marie?
“We are excited to be a part of Roots of Rumba, an event that echoes our own values, encouraging the fusion and growth of dance styles, whilst maintaining the ideals and affinity towards having strong roots in traditional dance”.
(Performing in London 15th September)
London raised Marv Radio will perform Mantra. Marv Radio is a vocal force of nature and one of a kind performer. The 3X Team UK Beatbox Champion combines beatboxing, rapping, singing, high energy freestyling and live looping to make unique, conscious live music shows.
Marv Radio has a wealth of national and international experience and often travels while teaching, giving sound therapy sessions, hosting, performing and using his voice to engage audiences with high vibrational performances.
His EP “The Airwaves” is available on Spotify, iTunes and all good online platforms.
Marv Radio will take us on a storytelling adventure, weaving together his own stories based on his journey through life, hip hop and spirituality, Mantra combines acting, rapping, beatboxing, storytelling, movement and improvisation to change the way we think about poetry and stories. Marv Radio’s story reminds us of the impermanence and vulnerability in life, in death and in the moment. The message is intertwined with pre-written and improvised songs, audience interaction, poetry, sound and movement, bringing the audience out of the head and into the heart.
Marv says: “It’s amazing to perform with Roots of Rumba and Ella Mesma dance. I’m excited to show my new work amongst a great line-up of incredible artists”
Rafael Braga and Paige Lyons
Paige Lyon is a recent graduate from the University of Chichester, receiving a Masters in Dance Performance. During this time, Paige worked closely with choreographers such as Shobana Jeyasingh, Lea Anderson, Hagit Yakira and Cai Tomos, touring each of their pieces nationally and internationally with mapdance in 2017. Currently, Paige is a dancer for enCompass Collective Dance Theatre who toured their work ‘Cambia Lavita’ at Lago Film Fest in Italy, as well as touring nationally with ‘Circumstances brought us Here’. Paige is also a free lancer teaching contemporary classes and choreographing for third year University students at Chester. Paige’s movement quality is influenced by Capoeira, Flying low, Ballet, Somatic and Release Based Techniques.
A native Brazilian with over 25 years experience as a capoeirsta (capoeira practitioner) I have travelled extensively and have shared my art form with children and adults around the world and beyond through performances and workshops such as at Alton Towers in association with Ponciano Almeida,
‘Star Crossed’ commissioned by Edinburgh Mela Festival and toured to Teatro Municipal de Palma, Mallorca
, ‘Can we Play?’ capoeira and contemporary improvisation show devised and performed with Fluxus Collective at Tilt Festival, Liverpool and Urban Moves, Manchester.
Rafael Mestre Piolho, lives in Chester where he teaches capoeira to people of all ages and abilities.
They are really exited to be part of the show and share experience with new artists.
Community and Emerging Artists
MEET THE LOCAL ROOTS OF RUMBA ARTISTS
Leeds Samba – Unidos do Ritmo
(Performing in Leeds)
UDR will open the show with their Samba Funk performance from Brazil at Yorkshire Dance. They are a community drumming and dance group open to samba enthusiasts of all ages and origins. Unidos do Ritmo (United in Rhythm) formed in 2016, to be an authentic and regular ‘samba club’ or escola de samba for West Yorkshire and beyond.
Choreographer and co-founder Thali Bento is from São Paulo in Brazil and will be bringing a bit of Rio de Janeiro to Leeds. The rhythm funk carioca meets samba. Thali started learning ballet when she was 2 years old and since then she has never stopped dancing.
Ama Rouge Ensemble
(Performing in London (15th September))
DOPE Male Performance Company
(Performing in Northwich)
Luanda Pau (London/Cuba)
(Performing in London (15th September))
Luanda Pau’s performance group will be bringing Quien mató a Malanga? Who killed Malanga? to Rich Mix London
Their show is a source of inspiration based on the events that took place at the party where the mysterious death of this great Rumbero occurred.
Who was Malanga? The brightest of the Columbia-style Rumba dancers so far known, the corridors and adventures he made were amazing. He created a unique style that became the repertoire of many dancers. He was one of those who introduced the Rumba in the central part of Cuba Island. In 1922 his unexpected and mysterious death occurred, occurred while participating in a party of rumberos and when he was about to dance he felt bad and died almost immediately. The most popular version is that he was killed by pouring ground glass into his food. Now, who killed Malanga? … Was some rumbero jealous of his fame and popularity? … no one knows. but the popularity of his dance made his fame as an exceptional rumbero endure for history.
About performing at Roots of Rumba, Luanda says “It is for me an honour and a privilege to be able to share, thanks to this newly-formed performance group, the roots and cultural heritage of my country, Cuba.”
DJ Lubi (Leeds/Serbia)
(DJing in Leeds, London (15th September))
Awesome Latin and Hip Hop sounds from Leeds based DJ Lubi (Lubi Jovanovic) is one of the UK’s best known salsa and Latin music DJs both at home and abroad. He is also a long time jazz/soul/funk/world music DJ and live music promoter. His career spans over 30 years working in all aspects of the business – international DJ, live music promoter, club promoter, radio presenter, record label PR and CD compiler. He began in 1982 spinning Mongo Santamaria/Tito Puente/Art Blakey/Tania Maria records in Bradford in the north of England as part of the UK jazzdance movement – hard bop, jazz fusion, samba batucada and mambo – and was soon running weekly sessions in the city including The Jazz Cellar (a DJ and live band night) and Wild Style (two floors – one rap/electro, the other jazz/Latin – breakers and jazz hoofers battling it out under one roof). By 1986, he was promoting his first salsa clubnight, Club Afro Latino in Leeds, one of the earliest outside London, plus guesting as a DJ across the country, playing bass in local jazz groups and leading his own Latin jazz bands. In the 1980s, DJ Lubi was also a working musician.
“Looking forward to playing at Roots Of Rumba once again and working with Ella Mesma who I have a long and happy association with going right back to her forming Element Arts in Leeds in 2005. DJing at her events’ after-parties is so natural as we both share a common love of great Latin American, Caribbean, Afro-American and African music past, present and future – salsa, samba, timba, funk, soul, hip-hop, jazz, rumba, reggaeton, afrobeat and dancehall. I’ll be playing all these on the night and look forward to an amazing dancers jam across all the genres represented by Roots Of Rumba. Bring it on!”
Nandy Cabrera Capucho – Selectorchico TM (Uruguay)
(DJing in Newcastle)
DJ, and active music producer since 1999 under the pseudonym SelectorchicoTM having edited on independent labels such as Angel’s Egg (Japan) Vampi Soul (Spain) Flora & Fauna (Sweden) Frente Bolivarista, Psicotropicodelia (Brazil) Soundsister (Mexico) Sondor ( Uy) and having participated in festivals FILE (Brazil) FUSION (Germany) VAMOS (UK) Liminaria (Italy) Latinarab (Argentina)
Curator of the transmedia performance Revisitando Macondo on the Uruguayan record label of the 70’s of the same name. Co-curator of the sound area of the British festival of Latin American culture VAMOS Festival of the city of Newcastle since 2016.
Institutional sound designer for Latinarab, an international Arab film festival in the city of Buenos Aires since 2014. Post-producer and sound designer in several Uruguayan films, shorts and documentaries, having received several awards for his work, some of which are La Casa Muda, El hombre muerto, Chau Pelado, NEGRO, Amazónica.
Founder of the Espectral sound design studio (2005-2012) having done work for clients such as Unión Latina, Nat Geo and Uruguayan National Television, among many others. Founder, of the collective, party and virtual label Club Subtropical (2010-2016). Musician and composer in the band Tráfico, whose debut album was released in 2013, member of musical projects such as Plátano Macho, Spanglish Trax, Chocadores, Colectivo Remezclación, Ritmi e Rumori. Activist of the cultural association Triangulación Kultural in events such as AFRO EXPO and Uruguayan Music for Haiti, among others.
He is the youngest son of the Uruguayan poet Sarandy Cabrera (1923 – 2005) He has academic studies in arts, sound and computer science, parallel self-taught training in constant process. He speaks fluent French, English and Spanish, notions of Italian and Portuguese.
Samba no Pe Class
ALL LEVELS 10-11 at Richmix London (15th September)
Orquidea is a dancer, teacher and choreographer for the London School Samba and several Samba Schools across Europe. She was LSS’s ‘Rainha da Bateria’ in 2010 and ‘Musa’ from 2012-2014. She has paraded in Rio Carnival with Mocidade Independente de Padre Miguel. International performances include: New Year Celebrations in Hong Kong 2011 and Qatar 2013 for the Qatari Royal Family. Regular performances include: The International Samba Festival of Coburg (Germany) and the Notting Hill Carnival, where she has also choreographed a few times. Recently, Orquidea has trained with Carlinhos Salgueiro, the most sought after choreographer from Rio de Janeiro.
Orquidea’s class is a journey that starts with the basic step of samba (samba no pé) and it’s African origins, moving on to the evolution of samba in the street carnival parades to the organised samba schools in the ‘Sambodromo’ in Rio. The class will culminate with the contemporary use of samba in stage performances and the most recent technique used in Rio de Janeiro for Passistas (skilled samba dancers).
Bring comfortable clothes they can dance in, trainers/flat shoes. Only bring heels if they are comfortable that their level of samba is intermediate/advanced.
“I am thrilled to share my knowledge and experience of Samba in this celebration of the Roots of Rumba, I can’t wait to loosen some hips and sharpening some feet!”
In Newcastle and in London we will be spending time with a number of artists selected by application on developing their art with the hope that you will see their work when we are next on tour! Check these amazing emerging artists out:
Patricia Verity Suarez
Patricia Verity Suarez is a Movement Director based in Teesside and will be delving into her heritage as a Latin American/British person as part of her creative practice. Her main practice includes character physicality and ensemble exploration of the world of her work. Her choreographic experience is mainly in Movement Direction where she choreographs social dances/period dances that enhance the storytelling of the scene.
Recent Movement Director credits include: The Graveyard Boy (Georgian Theatre Royal Youth Theatre, 2017), On Behalf of the People (NCME and Tour, 2017), 4×15 (Crucible Studio, 2017). Choreography Assistant: Kynren (Eleven Arches, 2018). Movement Placement: The York Mystery Plays (2016).
She is excited to be a part of Roots of Rumba and to grow creative connections through Afro-Latin Dance.
Juliette and Georgina Lance
Graduated at the Metropolitan University in African&Afro -Caribbean, Contemporary Dance ( FDa) . Ofelia has been working for companies such as Irie! Dance Theatre, Union Dance Company, Ballet Nimba, I love Myself Hip Hop Dance Company, Movement Angol & Dance Noir Company. Her credits include Britain’s Got Talent 2016 semi-finalist, Kamel Nance , Southbank Mandela Tribute, Diana Zvjagintseva, Tavaziva, Patoranking, Wiz’kid, Shiikanee, Indigo face , Afro explosion dance festival l, ADAD. Ofelia is currently travelling and working on developing her choreographic voice focusing on Orishas Yoruba Dance and her dance language while, teaching for Irie! Dance Theatre, Union Dance and Danceworks dance studio.
Ofelia said about the project: “Your voice can be powerful with your artist community support. I hope to meet people that share the same values and promote the same message”.